
Every month, I will post a new playlist on the first day of the month. Sometimes, I change the songs on the playlist as the days go by, but my goal is to have a core list conveying a core mood or atmosphere for the month. As the year goes on, I will update my playlists with songs that turned out to be hits or songs that came out that year that I wish I had included.
There are several moods that I try to convey with this January’s playlist. Most of my January playlists begin with U2’s “New Year’s Day,” their 1983 early hit that mixed a love song with Bono’s poetic attempts at diplomacy—in this case, an outcry of support for a democratic Poland. The song’s lyrics remind us that the big events don’t usually happen on “quiet” New Year’s Days. This year, the foreboding of Trump 2.0 and the political drama in South Korea make U2’s love song to democracy all the more relevant.
The playlist is a mixture of hope and despair as the two emotions sit close together in the face of the uncertainty of the future. Hopefulness fills songs like Jimmy Eat World’s “Sweetness.” The melody of the song reminds me of a Christmas carol. Wilson Phillips’ “Hold On,” beabadoobee’s “Talk,” Flyleaf’s “Arise,” and Jaurim’s “Twenty-five twenty-one” are a few examples of hope permeating in the bleak month of January.
On the other hand, songs like Linkin Park’s “In the End,” Glass Age’s “Separateness,” and Anberlin’s “Never Take Friendship Personal” contribute to the darkness in the playlist. This darkness peaks with A Perfect Circle’s “Hourglass,” a song based on the breakdown of the 5 forms of government (the song adds a fifth form: “Republicat,” in a nudge to the broken American political system) as outlined in Plato’s Republic. The political turbulence in 2025 certainly influenced the making of this playlist.
The genres included on this playlist are also related to the themes of hope and despair. I start the playlist off with hope. The anthemic rock songs of U2 and Jimmy Eat World’s upbeat pop-punk at the beginning match with later tracks like Paper Route’s hopeful stomp-clap “Better Life” and Falling Up’s nostalgic “Arafax Deep” draw a through line in the playlist. The rap-rock “In the End,” on the other hand, introduces bleakness into the playlist. Every January playlist I’ve curated has this element, but this year feels more ominous. The Bangles’ “Hazy Shade of Winter,” MUTEMATH’s “Backfire,” and System of a Down’s “B.Y.O.B.” contribute to this dark atmosphere.
While January’s playlist is a return to rock for me, often more akin to my college and high school listening habits—pop still plays a role in the playlist. Classic pop is often sugary and cheesy, but there’s something comforting about Wilson Phillips’ “Hold On” and Steve Winwood’s “Higher Love.” New Pop is the rarest genre on this playlist.
Ariana Grande’s “we can’t be friends” (wait for your love) and Shakira’s “Copa Vacía” are the only pop songs currently on this list. Female pop stars had an incredible year in 2024 and will undoubtedly continue in 2025 with Lady Gaga kicking off the year sometime soon. But in this fallow period of new music and political uncertainty, rock music began to speak to me more than pop music. Grande’s melancholy tune from eternal sunshine speaks to the disconnect we may feel as a society, severed of connections. Shakira and Manuel Turizo’s “Copa Vacía” (Empty Cup in English) compares an ex-lover to a cold January day, so naturally, this song had to wait for January.
Korean rock last year made a comeback with K-pop groups incorporating rock elements, K-pop bands gaining popularity, and a renewed interest in older acts. This month I included Jaurim’s hopeful song “Twenty-Five, Twenty-One.” I saw the band in concert at the end of the year—the crowd fueled by a pent-up frustration at an ineffective, self-interested government, something Americans could also relate to. The band played “Twenty-Five, Twenty-One” as part of their three-song encore.
The playlist also includes rock-leaning boy band DAY6 and their massive hit “Happy” and new-wave-influenced The Volunteers, a Korean band that sings mostly in English, with their song “Tell ‘em boys.” Both of these were songs played frequently at my gym.
I’m excited to find out what I will do with my blog in the coming months.
| 1. “New Year’s Day” by U2 |
| 2. “Sweetness” by Jimmy Eat World |
| 3. “In the End” by Linkin Park |
| 4. “Separateness” by Glass Age |
| 5. “Hazy Shade of Winter” by The Bangles |
| 6. “Hold On” by Wilson Phillips |
| 7. “Talk” by beabadoobee |
| 8. “Never Take Friendship Personal” by Anberlin |
| 9. “Arise” by Flyleaf |
| 10. “Twenty-five twenty-one” by Jaurim |
| 11. “Higher Love” by Steve Winwood |
| 12. “Better Life” by Paper Route |
| 13. “Go!” by M83 ft. MAI LAN |
| 14. “Backfire” by MUTEMATH |
| 15. “We’re Not Gonna Take It” by Twisted Sister |
| 16. “You Can’t Always Get What You Want” by Rolling Stones |
| 17. “California Dreamin’” by The Mamas and the Papas |
| 18. “we can’t be friends” (wait for your love) by Ariana Grande |
| 19. “Copa Vacía” by Shakira ft. Manuel Turizo |
| 20. “Freedom” by Beyoncé ft. Kendrick Lamar |
| 21. “Don’t Dream It’s Over” by Sixpence None the Richer |
| 22. “Tell ’em boys” by The Volunteers |
| 23. “Happy” by DAY6 |
| 24. “41th” by 김성규 (Kim Sung Kyu) |
| 25. “Lights Out” by P.O.D. |
| 26. “B.Y.O.B.” (Bring Your Own Bombs) by System of a Down |
| 27. “Hourglass” by A Perfect Circle |
| 28. “Even Snakes Have Hearts” by Kids in the Way |
| 29. “When I Remember” by Blindside |
| 30. “Time Is a One Way Mirror” by Tyson Motsenbocker |
| 31. “Arafax Deep” by Falling Up |
